了解你的受众
戴尔·派克的最新小说, 发芽, is in some ways the antithesis of a novel I read earlier this spring, tales of the MADMAN underground by John Barnes. Where Barnes’ characters speak, 认为, and express themselves with the manner of real teens, Peck’s characters (at least filtered via the protagonist/narrator 发芽) have consciously edited their language to reflect their understanding of the fact that the people who will read their story (adults) and decide on its appropriateness for its intended audience (teens) have issues with profanity in books. 发芽 works precisely because it’s so upfront about the fact that it’s being edited for content and language: “it’s easy to阅读更多→